AVENUE OF CHERRY TREES / Hiroshi Yoshida
1935

$3,000

$42.00

Avenue of Cherry Trees
Hiroshi Yoshida (1876-1950)

DATE: 1935
MEDIUM: Woodblock Print
DIMENSIONS: 10 ¾ x 16 inches
CONDITION: Excellent impression and color; no problems to note
LITERATURE: Ogura, Yoshida Hiroshi Zenhangashu (The Complete Woodblock Prints of Hiroshi Yoshida), Abe Shuppan, Tokyo, 1987, pl. 198
NOTE: Brush and pencil signatures; jizuri seal at left margin

$3,000.00

Contact us to purchase

Avenue of Cherry Trees
Hiroshi Yoshida (1876-1950)

DATE: 1935
MEDIUM: Woodblock Print
DIMENSIONS: 10 ¾ x 16 inches
CONDITION: Excellent impression and color; no problems to note
LITERATURE: Ogura, Yoshida Hiroshi Zenhangashu (The Complete Woodblock Prints of Hiroshi Yoshida), Abe Shuppan, Tokyo, 1987, pl. 198
NOTE: Brush and pencil signatures; jizuri seal at left margin

$3,000.00

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Details

In Avenue of Cherry Trees, Hiroshi Yoshida presents a lyrical vision of springtime Japan—one infused with both communal joy and ephemeral beauty. The composition captures a bustling street beneath an arched canopy of sakura in full bloom. Market stalls brimming with lanterns, townspeople in bright kimono, and quiet vendors resting beneath boughs of petals form a vibrant yet meditative scene, steeped in nostalgia. As one moves visually through the central path receding into the distance, Yoshida gently guides the viewer into the heart of this seasonal ritual.

Executed in 1935, late in the artist’s career, the print reflects Yoshida’s mature mastery of the Shin Hanga style—combining atmospheric Western perspective with the refined craftsmanship of Japanese printmaking. The tonal harmony, from the soft pinks and greys of the cherry blossoms to the weathered facades of roadside teahouses, creates a subdued elegance. The serenity of the scene is not imposed but discovered, slowly, in the pauses between figures, in the way petals float without urgency.

Connoisseur's Note

This print stands among Yoshida’s most evocative street scenes, capturing the spirit of hanami not as spectacle but as quiet observance—a cultural expression of Mono no Aware, the poignant beauty in the transience of things. The cherry blossoms, at their peak, echo the traditional view of life’s impermanence, their soft descent already implied in their fullness. The figures are not portrait-like but emblematic, representing a collective memory shared across generations.

The presence of the jizuri seal confirms this impression was printed under Yoshida’s own supervision, ensuring fidelity to his exacting standards. Collectors of Shin Hanga will note the subtlety of block carving and expert gradation—particularly in the depiction of the tree trunks and sky, where color and light merge almost imperceptibly. Avenue of Cherry Trees is both a seasonal reverie and a document of Showa-era Japan, rendered with grace and quiet authority by one of the twentieth century’s great woodblock artists.

 
 

 
 

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