GOSHAWK ON SNOWY BRANCH / Ohara Shoson
1937

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Goshawk on Snowy Branch
Ohara Shoson (1877–1945)

DATE: 1937
MEDIUM: Woodblock Print
DIMENSIONS: 15 1/8 × 10 ¼ inches
CONDITION: Excellent impression and color; no problems to note
LITERATURE: Amy Newland et. al., Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945, 2001, p. 155 cat. no. 159
NOTE: Watanabe C-type seal; first state

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Goshawk on Snowy Branch
Ohara Shoson (1877–1945)

DATE: 1937
MEDIUM: Woodblock Print
DIMENSIONS: 15 1/8 × 10 ¼ inches
CONDITION: Excellent impression and color; no problems to note
LITERATURE: Amy Newland et. al., Crows, Cranes & Camellias: The Natural World of Ohara Koson 1877-1945, 2001, p. 155 cat. no. 159
NOTE: Watanabe C-type seal; first state

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Details

Rendered with exquisite control and clarity, Goshawk on Snowy Branch exemplifies Ohara Shoson’s late kacho-e (bird-and-flower) work, marrying traditional compositional elegance with crisp, modern stylization. Perched resolutely on a snow-laden branch, the goshawk exudes both dignity and latent ferocity. The wintry stillness of the background, rendered in soft gradations of grey and pale blue, only intensifies the bird’s vivid presence—its finely delineated plumage, curved beak, and piercing gaze forming the print’s compositional anchor.

The surrounding tree, dusted with snow, branches upward and outward in rhythmic diagonals, its dark limbs emphasized by the negative space of snow. The stark contrast between the bird’s golden talons and the monochrome winter palette lends the composition a balanced tension—silent, poised, and sharply alert. This impression’s precise carving and layered bokashi (color gradation) are hallmarks of the Shhin-Hanga movement’s fusion of artisan craftsmanship and painterly finesse.

Connoisseur's Note

Ohara Shoson (1877–1945), who also worked under the names Koson and Hoson, was one of the leading artists of the Shin-Hanga era, especially revered for his bird-and-animal imagery. While much of his earlier work was lyrical and decorative, his prints from the 1930s—like this one—often reveal a bolder sensibility. The subject, the goshawk (taka), is steeped in historical symbolism: a bird of prey long associated with the samurai class, embodying martial strength, clarity of vision, and imperial authority.

Here, the hawk is neither in flight nor in motion, but in potent repose. This stillness resonates with a kind of ma—the aesthetic of meaningful pause—common in Japanese art, where tension lies not in action, but in the suggestion of it. Collectors will note the impeccable balance between detail and restraint, power and grace. Goshawk on Snowy Branch is not merely a portrait of a bird in winter—it is an image distilled to its purest emotional geometry, reflecting both natural beauty and cultivated strength.