MONUMENT VALLEY / Toshi Yoshida
1971

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Monument Valley
Toshi Yoshida (1911–1995)

DATE: 1971
MEDIUM:
Woodblock Print
DIMENSIONS
: 14 ¼ x 21 5/8 inches
CONDITION: Excellent color and impression, very fine gradation in the sky (bokashi), pristine margins
NOTE: Pencil signature, lifetime edition; printing blocks were carved by the artist

SOLD

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Monument Valley
Toshi Yoshida (1911–1995)

DATE: 1971
MEDIUM:
Woodblock Print
DIMENSIONS
: 14 ¼ x 21 5/8 inches
CONDITION: Excellent color and impression, very fine gradation in the sky (bokashi), pristine margins
NOTE: Pencil signature, lifetime edition; printing blocks were carved by the artist

SOLD

Contact us to purchase

 
 
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Details

A serene and hauntingly beautiful view of Monument Valley, rendered with the poetic precision of Toshi Yoshida’s mature hand. The print belongs to the artist’s celebrated series of international landscapes, where he sought to capture the essence of distant lands through the refined lens of the Japanese Shin-Hanga tradition.

Here, Yoshida masterfully balances simplicity and depth. The rising (or setting) sun hangs low in the desert sky, suspended in an expanse of delicately graded color that fades from soft ochre to pale lavender. The vast geological formations—silent sentinels of the American Southwest—are carved into sharp relief by the artist’s nuanced use of form and shadow. Monument Valley’s stillness becomes spiritual, evoking an almost meditative calm.

Connoisseur's Note

Yoshida’s Monument Valley is not merely a travel record—it is a synthesis of vision and reverence. In his rendering of this sacred Navajo land, the artist restrains his palette and detail to reveal something deeper: the grandeur of emptiness, the eloquence of silence. His horizontal composition and minimal foreground suggest not a narrative, but a state of being—a communion between earth and sky.

The subtle gradation in the sky (bokashi) and the monumental stillness of the buttes echo the principles of Japanese aesthetics: yūgen (mysterious grace), ma (negative space), and the transient beauty of the moment. While the landscape is undeniably American, the sensibility is unmistakably Japanese.

This work is emblematic of Yoshida’s ability to act as a cultural bridge—translating the world’s natural wonders into a language of wood, ink, and silence.

 
 
 

 
 

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