DAINAN GATE IN MUKDEN / Hiroshi Yoshida
1937

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Dainan Gate in Mukden
Hiroshi Yoshida (1876–1950)

MEDIUM: Woodblock Print
DATE: 1937
DIMENSIONS: 10 ¾ x 16 inches
CONDITION: Excellent; fine impression with delicate color transitions; no condition issues to note
LITERATURE: Ogura, Yoshida Hiroshi Zenhangashu (The Complete Woodblock Prints of Hiroshi Yoshida), Abe Shuppan, Tokyo, 1987, pl. 212
NOTE: Pencil and script signature, jizuri seal

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Dainan Gate in Mukden
Hiroshi Yoshida (1876–1950)

MEDIUM: Woodblock Print
DATE: 1937
DIMENSIONS: 10 ¾ x 16 inches
CONDITION: Excellent; fine impression with delicate color transitions; no condition issues to note
LITERATURE: Ogura, Yoshida Hiroshi Zenhangashu (The Complete Woodblock Prints of Hiroshi Yoshida), Abe Shuppan, Tokyo, 1987, pl. 212
NOTE: Pencil and script signature, jizuri seal

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Details

In Dainan Gate in Mukden, Hiroshi Yoshida captures the enduring grandeur and daily rhythms of life beneath one of the historic gates of what is now Shenyang, China. The composition is anchored by the imposing stone structure of the gate, its weathered façade rising with quiet dignity. Atop the gate, the elegant sweep of the tiled roof and red columns of the upper pavilion contrast with the sturdy geometry below, emphasizing the harmony between power and refinement in traditional Chinese architecture.

Beneath the archway and along the flanking street, a vibrant scene of everyday life unfolds—figures gather, converse, and sell their wares in modest stalls, their garments rendered in soft, pastel tones. Rickshaws and carts suggest movement and commerce, while Yoshida’s careful use of shadow and line brings depth and realism to the massive stonework. The soft gradient of the sky, moving from warm peach to gentle gray, evokes the waning light of late afternoon.

Connoisseur's Note

This print is a compelling example of Hiroshi Yoshida’s lifelong engagement with the world beyond Japan. A tireless traveler and consummate observer, Yoshida ventured across Asia, Europe, and North America, using the medium of woodblock printing to document scenes that moved him—always rendered with both artistic precision and cultural sensitivity.

Dainan Gate in Mukden reflects his fascination with historical continuity, architectural presence, and the subtle beauty of the everyday. The location—once the imperial capital of the Qing dynasty—offered Yoshida a vision of tradition deeply embedded in the urban fabric. Here, the gate is not a relic, but a living part of the city, as integrated into the daily market life below as it is into the skyline above.

This work stands out not only for its elegant composition, but also for the way it merges architectural portraiture with genre scene. The rendering of the stone textures, roof tiles, and human figures reveals the hand of a master printmaker working at the height of his technical powers.

 
 
 

 
 

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