KUCHIBENI (NOVEMBER - ROUGE) / Ikuharu Watanabe
1927

$4,500

$7.00

Kuchibeni (November - Rouge)
Ikuharu Watanabe (1895–1975)

SERIES: A Competition of Showa Beauties
MEDIUM: Woodblock print
DATE: 1927
DIMENSIONS: 16 x 11 inches
CONDITION: Exceedingly fine state of preservation with pristine mica background
NOTE: Silver mica background
LITERATURE: The Female Image, pl. 254

$4,500.00

Kuchibeni (November - Rouge)
Ikuharu Watanabe (1895–1975)

SERIES: A Competition of Showa Beauties
MEDIUM: Woodblock print
DATE: 1927
DIMENSIONS: 16 x 11 inches
CONDITION: Exceedingly fine state of preservation with pristine mica background
NOTE: Silver mica background
LITERATURE: The Female Image, pl. 254

$4,500.00

 

 
 
 
 
 
 

Details

In this intimate composition, Ikuharu Watanabe presents a young woman captured in a moment of private adornment, her profile delicately poised as she applies lipstick while gazing into a compact mirror. Her sleek bobbed hair—rendered with extraordinary subtlety through fine gradations of ink—signals a decisive departure from traditional coiffure, aligning her with the modern girl of the Taishō and early Shōwa periods. The gesture itself, quiet yet deliberate, conveys both self-awareness and cultivated elegance, a ritual of modern identity unfolding within the frame.

Her kimono, adorned with bold floral motifs in soft yet assertive hues, bridges tradition and innovation. While the garment retains classical form, its patterning and palette resonate with contemporary taste, echoing the visual language of urban fashion and department store culture. The sparse background of silver mica isolates the figure in a contemplative space, heightening the sense of introspection. The inscription cartouche further anchors the work within the bijin-ga tradition, yet its subject unmistakably belongs to a new social milieu shaped by Tokyo’s rapidly modernizing landscape.

Connoisseur's Note

This print offers a compelling meditation on the emergence of the moga as both cultural icon and lived reality. The act of applying lipstick—once a subtle enhancement—becomes here a declaration of participation in a global modernity. It reflects the growing influence of Western cosmetics, cinema, and advertising, all of which converged in the urban centers of Japan following the reconstruction of Tokyo after the Great Kantō Earthquake. In this sense, the figure is not merely preparing her appearance; she is composing herself as a modern subject within a newly electrified and image-conscious city.

Watanabe’s treatment is notable for its restraint and sensitivity. Rather than dramatizing the figure, he allows her presence to unfold with quiet assurance, embodying a nuanced form of yūgen—a subtle, almost ineffable grace. The unbroken solid mica background, in perfect condition, elevates the print to a work any serious collector would covet.

 
 
 

 
 

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