NIGHT RAIN ON IZUMI BRIDGE / Takahashi Hiroaki (Shotei)
1909-1923

$3,200

$46.00

Night Rain on Izumi Bridge
Takahashi Hiroaki (Shotei) (1871–1945)

MEDIUM: Woodblock Print
DATE: 1909–1923
DIMENSIONS: 6 ¾ x 14 7/8 inches
CONDITION: Excellent; no problems to note
NOTE: Rare pre-earthquake impression

$3,200.00

Contact us to purchase

Night Rain on Izumi Bridge
Takahashi Hiroaki (Shotei) (1871–1945)

MEDIUM: Woodblock Print
DATE: 1909–1923
DIMENSIONS: 6 ¾ x 14 7/8 inches
CONDITION: Excellent; no problems to note
NOTE: Rare pre-earthquake impression

$3,200.00

Contact us to purchase

 
 
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Details

Night Rain on Izumi Bridge is a masterwork of restraint and atmosphere—an evocative portrayal of a downpour illuminated only by the faint shimmer of lamplight and the shape of the bridge itself. Here, Takahashi Hiroaki captures the intimacy of a passing moment: figures move hurriedly across the great arched span, umbrellas bowed against the sheets of rain that sweep diagonally across the composition in fine, rhythmic strokes.

The subdued palette of grays and deep olives heightens the impression of a moody, rain-soaked night. Slivers of color—orange lanterns and the inside of a single umbrella—offer momentary warmth amidst the chill. The arc of the bridge is rendered with a sweeping elegance, creating a natural flow for the viewer’s eye, while the dense texture of the rain suggests both movement and sound, like the percussion of countless drops against wood and fabric.

Connoisseur's Note

This print is a rare example of Hiroaki’s pre-earthquake work, produced between 1909 and 1923 under the direction of Watanabe Shōzaburō. Much of Hiroaki’s early woodblock output was destroyed in the Great Kantō Earthquake of 1923, making surviving impressions of this design especially scarce and historically significant.

What distinguishes Night Rain on Izumi Bridge is its ability to convey emotion through minimal means. There is no scenic vista, no decorative flourish—only a handful of anonymous figures, a bridge, and weather. Yet from these few elements arises a deeply atmospheric composition, resonating with mood and rhythm. The refined treatment of space, tone, and pattern reveals an artist in complete control of his visual language.

Hiroaki reinterpreted this theme around 1930 with a slightly revised version, but it is this earlier edition—printed from now-lost blocks—that retains the haunting simplicity and immediacy of the original vision. The vertical rain lines, painstakingly carved and printed with precision, lend the print a subtle texture that almost vibrates on the page.

A rare and poetic survival from Hiroaki’s early career, Night Rain on Izumi Bridge is a meditative study in motion, solitude, and the quiet beauty of the ephemeral.

 
 
 

 
 

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