SEA BREAM (TAI) / Bakufu Ohno
1937

RESERVED

$4.00

Sea Bream (Tai)
Bakufu Ohno (1888–1976)

SERIES: Familiar Fishes of Japan, Volume I
MEDIUM: Woodblock print
DATE: 1937
DIMENSIONS: 15 × 10 inches
CONDITION: Excellent; no problems to note
NOTE: First edition; gold and silver metallic pigment


RESERVED

Sea Bream (Tai)
Bakufu Ohno (1888–1976)

SERIES: Familiar Fishes of Japan, Volume I
MEDIUM: Woodblock print
DATE: 1937
DIMENSIONS: 15 × 10 inches
CONDITION: Excellent; no problems to note
NOTE: First edition; gold and silver metallic pigment


RESERVED

 
 
 
 
 

Details

Ohno presents the koi with a commanding physical presence. The broad body occupies much of the composition, allowing the viewer to appreciate the intricate arrangement of scales and the subtle modulation of color across its surface. The artist carefully balances areas of concentrated detail with passages of visual restraint, preventing the composition from becoming overly descriptive. Delicate gradations within the fins and tail contribute a sense of movement, while the surrounding water remains understated and atmospheric.

Particularly impressive is the print's treatment of texture. Through a combination of embossing and nuanced color application, the scales acquire an almost tactile quality. Light appears to move across the fish's body, emphasizing the technical sophistication of the printing process. Such effects demonstrate the extraordinary collaboration between artist, carver, and printer that distinguishes the finest examples of prewar shin-hanga production.

Connoisseur's Note

No fish carries greater symbolic weight in Japanese culture than the carp. Associated with perseverance, determination, and success, the koi became an enduring emblem of personal aspiration. Legends describing carp ascending waterfalls and transforming into dragons made the species a potent symbol of achievement and advancement.

For collectors, Ohno's koi designs represent one of the clearest demonstrations of his ability to merge cultural symbolism with natural observation. Rather than relying solely upon decorative appeal, he imbues the fish with a sense of quiet strength and dignity. The resulting image transcends its role as a zoological study and becomes a meditation on resilience itself.

 
 
 

 
 

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